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Review – Foundations of the Esoteric Tradition: Tarot of the Holy Light Vol 2

Foundations of the Esoteric Tradition:
Tarot of the Holy Light
Vol 2

Author: Christine Payne-Towler
Senior Editor: Michael Dowers
Associate Editor: Christine Payne-Towler
Cover: Michael Dowers (Note: This is a provisional cover.)
Noreah/Brownfield Press
2016
ISBN # 978-0-9673043-4-2

 Foundations cover

Dedication

In honor of,
in answer to,
in anticipation of
the world community of Tarot.

With thanks to Sophia at every step.

 I have been a fan of Christine Payne-Towler’s work since it first crossed my radar. I recently had the chance to meet Christine in person, and she is a very down to earth, knowledgeable individual, with a great sense of humor. Her works include: The Underground Stream: Esoteric Tarot Revealed, The Tarot of the Holy Light (deck), and The Tarot of the Holy Light (Vol 1 – companion book). Where Tarot of the Holy Light (Vol 1) is the user’s manual for the deck, demonstrating the traditional assumptions built into the outline of the classical Tarots of continental Europe, the 296 page Foundations of the Esoteric Tradition: Tarot of the Holy Light Vol 2 deals with the esoteric background of this deck, and how to put these cards truly to work in your life. It traces the historical references that support Western Esotericism per se. It also helps the reader to put the Continental tradition, and its Alpha-Astro- Numeric (AAN) foundation, to work in an individual’s life.

In the beginning of the book is a list of illustrations, chapter by chapter, followed by Tarot deck citations. In his preface, Angel Lozada talks about reading Payne-Towler’s Underground Stream, followed by an in-depth interpretation of his astrological chart with her. A friendship formed, and he began studying the traditions of Tarot with her.  He notes that in working with the correspondences associated with the Tarot, Payne-Towler takes into consideration the Continental traditions that are often overlooked, and sometimes rejected. He sees her emphasis on influences from the Spanish Portuguese schools, as well as contributions from Protestant Masons.

In her introduction, Payne-Towler starts out by noting that the Tarot is esoteric by its structured and numbered categories. It can be used as a magical calculation tool in the absence of astronomical tables and special knowledge. She states that we need to keep in mind that the Church had a powerful hold on the transmission of metaphysical and theological subjects. We must work backwards through existing materials to define the root ideas of Tarot they were originally. What we see now is a series of clichés that serve to obscure the original template of the Tarot.

The discussion moves on to Jacob Boehme (1575-1624), a philosopher who lived in Bohemia. His works inspired esoteric groups such as the Rosicrucians, the Masons and the Martinists. The discussion of his work, and the influence it had on the esoteric structure of the Tarot, is incredible! Immense research has been done here – research that could act as the starting point for any student’s research. You have to be able to think to understand what is being presented – once you start thinking, the world opens up! One sentence stands out: “Tarot of the Holy Light is about the search for the precedents of Tarot’s unique outline, an experiment in thinking the way our illuminated ancestors did.” Payne-Towler also notes that all of the sources that she cites work within the Continental magical assumptions. The reader is gifted with the foundation that Payne-Tower comes from personally. I loved this section, because it states in no uncertain terms what she will and will not accept in working with the Tarot, its esoteric base, and its traditions. Her stated aim is to clarify core issues, and to understand the logic behind the intersection of Astrology, Alchemy, and Kabbalah.

Chapter 1 – Clairvoyance and Apprehending the Cosmic Body sets the stage, addressing the essential quality at the foundation of all esoteric traditions. It is this quality of magical imagination that is found in historical magi of every age. It is all about knowing your own energy body.

Chapter 2 – The Hermetic Cosmos talks about the mathematical matrix of Ancient Astrology, which Payne-Towler notes is the root source for the working vocabulary of the Western Mysteries. Here we get into the importance of birth charts, and how the planets as they transit our chart affect our lives. From the book: The specific goal of a Tarot Magus is to front-load the cards with these astral values so we can read our Tarot spreads at the greatest number of levels, granting us the most holistic insight into ourselves, our powers, and our times.

Aside: Payne-Towler did a very magical series of classes based on Foundations of the Esoteric Tradition that, in part, reviewed individual class members charts, showing how an individual  can use the movement of the planets to help them understand what is going on in their life.

Chapter 3 – The Alphanumeric Doctrine of Correspondences shows how our modern alphabet was influenced by ancient astronomers to carry numeric and astrological data within each letter. This presents a philosophical foundation for both the Hermetic philosophy and the Kabbalah.

Chapter 4 – The Kabbalistic Alchemists recounts the growth of Kabbalistic thought among the magical Christians of the Middle Ages and the Renaissance. In this chapter the reader is introduced to the magic of the Tarot of Holy Light icon (which can be downloaded from Payne-Towler’s site (http://www.tarotuniversity.com/) , so that the reader can construct their personal chart in Tarot terms.

Chapter 5 The Cosmos In The Tarot discusses the interlocking traditions of the Tarot in a visual manner. In the Pips we see the development of the Alchemical implications of the Doctrine of Essential Dignities.

Chapter 6 The Seven Planetary Properties talks about Jacob Boehme’s insight into the Planetary Properties, showing their esoteric and theological fundamentals. We also see the alchemical interrelations of Astrology as they are projected onto The Kabbalah Tree, analyzing the astral body of the practitioner.

Chapter 7 Yoga of the Restitution examines the worldview and lifestyle associated with Jacob Boehme’s “Yoga of the Restitution”, complete with illustrations created by Boehme’s students. This is incredible artwork!

Chapter 8 Theosophic Spirituality or The Alchemy of the Restitution notes that the root to Boehme’s basic approach and vocabulary were adapted from the Agrippan synthesis, specifically the astro-healing model. This material was taken up by the Rosicrucian and Masonic movements that followed.  It is also interesting to note Boehme’s insistence on the development of visionary skills.

At the end of the book there is a bibliography and an index – both of which are helpful as a foundation for further study.

This is a phenomenal book, going deeply into the esoteric nature of the Tarot. It is well written, well sourced, and very easy to follow. Each time you re-read a section in this book, you will come away with more information. And, whether you agree with it or not, you will come to an understanding of the traditions behind the Continental system of Tarot. It is a wonderful companion to Vol 1 – Tarot of the Holy Light: A Continental Esoteric Tarot. It is a gift to find all of this information gathered in one place! And … Payne-Towler is generous with charts and images – visual cues to understanding this material.

© March 2016 Bonnie Cehovet
Reproduction prohbited without written

 
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Posted by on March 27, 2016 in Tarot

 

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Review – A Year In The Wildwood Tarot

A Year In The Wildwood:
Explore the Wildwood Tarot

Author: Alison Cross
Foreword: John Matthews
Kindle
2015
ASIN: B01D00N4VS

A Year In the Wildwood Tarot cover

I was absolutely thrilled to hear that Alison Cross had taken her work on the Wildwood Tarot and turned it into an e-book. A Year In The Wildwood contains all of the entries Alison wrote for the Wildwood Tarot’s Facebook page. With humor and style, she takes us through a  year-long journey through the cards.

I have to add a note here that I might not place in other reviews, and that is because these are names that are recognizable in the Tarot world. This book was edited by Sara Donaldson (many will recognize her as a member of TABI), and converted to epub and mobi formats by Gavin Pugh.

The Wildwood Tarot is the creation of Mark Ryan, John Matthews, and Will Worthington. It is a based on the seasons and the Wheel of the Year. In his foreword, Matthews talks about the magical place that the forests and woodlands that act as the background for this deck are. Matthews and his fellow author Mark Ryan had always intended to write a more complex workbook to accompany the original deck and companion book that came out in 2011 but to date have not had an opportunity to do so.  Matthews notes that Alison’s work is a splendid addition that acts to deepen the study and the use of the imagery for both personal use and the use of the cards for reading.

Cross gifts the reader by beginning the book with an explanation of what the Wheel of the Year is, and that, as defined by Mark Ryan and John Matthews, the Wheel consists of three concentric circles, with the hub representing the core energy of the year, and acting as the Heart of the Forest. Each quarter pivots upon one of the Wildwood guardians (Spring – The Shaman, Summer – The World Tree, Autumn – The Seer, Winter – The Wanderer). The second ring shows the eight major festivals, and the pairs of Major Arcana cards that rule over each festival. The third ring consists of the Minor Arcana suits – Ace through Ten.

There are notes on how to use this book, which consists of four chapters – one for each of the suits (The Time of Arrows, The Time of Bows, The Time of Vessels, and the Time of Stones). At the beginning of each chapter there is an outline of the Majors that will be encountered, the associated element and season, the names of the Court Card guardians, and key words about what this time represents. Each Wildwood card is then presented according to the date its energies begin on the Wheel of the Year.

The cards are presented text only, beginning with the cards associations. This is followed by a short text on the card, and questions that the character in the card asks of the reader. For example, the Shaman asks:

What stirs you to be close to nature?

What “magic” can you use to make changes in your life this season?

How can you apply magic to everyday life, today?

 What I really liked was the suggestion that the student could return to the Shaman at any time to work with him. This, combined with the questions, makes this book special, and will help to open up the perspective of anyone who works with it – whether new to the Wildwood Tarot, or a seasoned reader.

The technical information presented here, along with suggestions on how to use it, are invaluable. Those already working with this deck will appreciate it, and those who do not have this deck yet will more than likely want to purchase it to work with.

At the end of the book Appendix I lists each card in the deck, and the dates they are activated. Appendix II lists Moon and Sun cycle exercises, and is followed by a list of useful resources.

Alison Cross has a knack for writing, for looking into the heart of things. She also has an innate sense of humor that anyone who follows her blog will understand.  She has made this book a valuable resource that stands on its own feet.

© March 2016 Bonnie Cehovet
Reproduction prohibited without written permission of the author.

 

 
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Posted by on March 21, 2016 in Tarot

 

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Review – Tarot of Empowerment

Tarot of Empowerment

 

Author: Judyth Sult
Artist: Gordana Curgus
Tarot of Empowerment
2016
ISBN #978-0-9864446-7-8

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“Tarot of Empowerment” is a 22 card, Majors only deck that comes with a text only LWB (Little White Book). (There is a companion book that can be purchased separately, and is absolutely amazing!) The cards follow the structure of a traditional Tarot deck, with the 22nd card entitled “Unknown”. This card represents a situation where the universe is not quite ready to respond to our question, to give us information. Patience is needed before making a decision, or taking an action. Quite a relevant card, but one would need to be prepared to explain this to a client in a manner that they would understand!

The card titles are traditional, with the following exceptions: Questor/Fool, Sustenance/Empress, Authority/Emperor, Advisor/Hierophant, Choices/Lovers, Introspection/Hermit, New Perspective/Hanged Man, Life Cycle/Death, Entrapment/Devil, Chaos/Tower, Awakening/Judgment. The renamed cards are meant to give a contemporary interpretation to the traditional archetypes.

The cards are 2 ¾” by 4 ¾”. The backs show a black border around a golden door that is opening to the universe. There is a mandala-like figure in the middle of the card, outlined in purple. The backs are reversible. The card faces show the same black border, surrounding a thin gold border. The card number is entered at the top of the card in a gold oval, with the card title across the bottom, in an oval gold banner. The artwork is done largely in pastels, with a muted quality to it. I find the cards very compelling!

In her introduction, Sult talks about doing a reading for Curgus, and coming to the realization that as an artist, Curgus work reflected the Tarot archetypes as she had imagined them. They worked together on both the words and the images, consciously eliminating he symbols and religious allegories with hidden meanings that can be found in traditional decks. (I am very attached to exactly what they eliminated, but I find value in both versions of the Tarot.)

Sult sees reading the Tarot as being on a quest to become engaged with universal truth, and with your own intuition. To do this well, one needs to set aside one’s ego and any attachment to the outcome. She also talks about framing questions (she does not see yes/no questions as empower, which I have to agree with, as I find them limiting).

The cards are presented as text only, with the card name and number, a short saying, a description of the card and its energy, upright and reversed meanings, empowerment (how the energy empowers the client), and numerology (the energy that the card’s assigned number carries).

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The deck starts out with a bang! We see the Questor (Fool), backpack on his back, opening the golden doors and stepping through them, out into the universe. A white dove is flying in the sky, welcoming him. Empowerment: “Questor is empowered by being spontaneous and optimistic about the issue in question.”

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Sustenance (Empress) shows a lovely, long haired woman standing. She is dressed in a lovely blue gown, and her hair is flowing. There is a cross at her neck. Empowerment: “You are empowered when you use your words and skills as tools to strengthen worthy causes and people around you.”

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Determination (Chariot) shows a golden bird in the center of the card, flying through the night sky. An intent male image is being carried by the bird. Under the bird we see an image of the world. Empowerment: “You are empowered to have faith in yourself and the decisions that you need to make, and to travel with your personal beliefs and values as your compass.”

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Justice shows a yin/yang symbol in the center, over back to back images of a woman reflecting. Empowerment: “You are empowered by Justice when you make fair decisions based on the rules, no matter the emotions or relationships involved.”

The intent of this deck is to have Tarot serve as a tool to empower individuals to make the choices that will improve their life. The images reflect both strength and beauty, and draw the reader (and their client) in. This is a powerful deck, and could be used in any number of ways (for readings, journeying, meditation, journaling, in comparative readings, etc.).

© March 2016 Bonnie Cehovet
Reproduction prohibited without written permission of the author.

 
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Posted by on March 5, 2016 in Tarot

 

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Review – The Chrysalis Tarot Companion Book

Chrysalis Tarot –
Companion Book

Author: Toney Brooks
Artist: Holly Sierra
U.S. Games Systems, Inc.
2016
ISBN #978-1-57281-798-2

Chrysalis Tarot book cover

The “Chrysalis Tarot” is the 216 page companion book for the Chrysalis Tarot deck. The cover illustration shows a cosmic version of the Nine of Spirals, featuring Aeolus, Master of the Four Winds. The reader’s eyes are immediately drawn to Aeolus face, with the eyes connecting on both a real-time and a soul level. It is time for each of us to re-examine our own world view!

In his introduction, Brooks talks about how creating a Tarot deck is a transpersonal process, including imaginary conversations with the characters in their “dramatis personae”. In retrospect, he realized that perhaps those conversations, at least in part, were not so imaginary after all. The Chrysalis companion book is then not only about the Chrysalis Tarot, but also about his efforts to uncover the hidden realities of the universe that shape our lives and compel us towards our destiny.

The most talkative cards for Brooks were those representing the Troupe (the Chrysalis version of Tarot’s Court cards). I love that Brooks refers to the Tarot as a metaphysical looking glass that pinches the higher realms of reality. I also love the statement that if something unseen or imagined resonates with our consciousness, then it is real.

Part One examines the Chrysalis Tarot, and other forms of magic, while Part Two provides an in-depth interpretation of each of the 78 cards in the deck.

“If you want to find the secrets of the universe, think in terms of energy, frequency, and vibration.”  Nikola Tesla, from Chapter 1

Tesla’s comment on the secrets of the universe are really at the foundation of this deck. Brooks talks about Elpi, a Goddess from Greek mythology that is the archetype featured in card 17 (Elpi/Star). He talks about viewing the universe in a holistic manner, versus the “dead universe” worldview. Elpi represents the living universe. Brooks talks about experiential spirituality, defining spiritual alchemy as having a conversation with the numinous.

He goes on to discuss the Holy Grail, the Celtic Cauldron of Rebirth, and the return of the Shekinah. I loved the section on the Storyteller’s Vision Quest. The storyteller is a female shaman schooled in the ways of a holistic wise woman. (A shaman being defined as someone that is an adept at manipulating subtle energy.) Here Brooks notes that the Tarot as a healing modality emphasizing the sacred ideals of self-knowledge and self-acceptance. He talks about energy and archetypes, and about magic being real. All of this is a very thorough prelude to working with this deck – which is energetically different from a traditional Tarot deck, although it follows the same 78 card format.

Part Two present the individual cards – their meaning, and the meaning within the artwork. One thing that I did note, and like, is that Brooks does not recommend using reversals with this deck. Each of the Major Arcana cards is presented with a half-page black and white scan, the reasoning behind why each character was chosen to represent that archetype, and a page on what the archetype itself is all about. Some of the archetypal energies chosen are Merlin as the Fool, Gaia as the Empress, the Phoenix as Judgment, and Psyche as The World.

The section on the Minor Arcana begins by discussing the renaming of the suits (Stones/Pentacles, Mirrors/Cups, Spirals/Wands, and Scrolls/Swords). The Pips (numbered cards) are presented with a half-page black and white scan, information about the symbols within the cards, and the energy/meaning of the card.

The sixteen cards that represent the Court Cards in a traditional deck are replaced with something called the Troupe – they are archetypes, eight male and eight female, that are divided up into four roles (Mentors, Muses, Mystics, and Messengers). Collectively they are akin to a band of medieval troubadours whose purpose was to travel the land bringing news, gossip, wisdom and entertainment. They are presented with a half-page black and white scan, who the character is, and what the symbols within the card mean.

At the end of the book we have the nine card Fairy Ring Spread.

This is a very different take on traditional Tarot – yet it serves the same purpose. I found the material interesting, and easy to follow. I personally would not use this deck for ritual work, but it works well for readings, journeying, and for meditation purposes.

© March 2016 Bonnie Cehovet
Reproductionprohibited wthout written permission of he author.

 

 
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Posted by on March 5, 2016 in Tarot

 

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Review: The Deviant Moon Tarot Companion Book

Deviant Moon Tarot
(Companion Book)

Author: Patrick Valenza
U.S. Games Systems, Inc.
2016
ISBN #978-1572816879

Deviant Moon Tarot book

The Deviant Moon Tarot companion book is hard cover (yes!), full color (yes!), solid, quality paper stock (yes!), with an absolutely amazing cover! Amazing art – that is a given with Valenza, combined with an equally amazing presentation of the art. I do not know that much about art presentation, so I queried Lynn Sparrow from U.S. Games Systems, Inc. about the process. She gave me the following description, one that was given to her by U.S. Games Systems, Inc. Creative Director Paula Palmer (who designed the book!): “The cover has a matte finish with a crackle spot varnish for texture. The title and some of the art elements have foil stamping and the main image is debossed into the cover.” You have to see and feel this cover to truly appreciate it. Kudos to Mr. Valenza and Ms. Palmer!

The front and back inside pages are made to look like advertisements from the 1920’s – with a twist! The reader is invited to attend “The Social Event of the Year” (which is advertised as a night of debauchery!), to purchase scalp fertilizer for balding hair, to purchase “Elegant Urns for After the Burn” (this under funeral supplies!), to “Say Goodbye to a Healthy Body” (Madam Morte’s Mercury Cream), and more! It is fascinating to read each one of these ads! The flip side of life, as it were.

A lovely extra is card 49 (The Beast), which is included with the book. There is a separate card that includes a short paragraph about the Beast, along with upright and reversed meanings. Please note: The extra card is included only if the book is ordered directly from the author. It is not included if purchased anywhere else.

In the Deviant Tarot Valenza is well known for presenting wonderfully unique interpretations of the Tarot, using symbolism inspired by childhood dreams and visions. In his companion book, Valenza takes us behind the scenes of the Deviant Moon (which I have to admit took some getting used to for me when it first came out), to share where his creative inspiration came from, and to explain the artistic techniques that went into creating this deck.

In his preface, Valenza talks about the challenge of writing a companion book. He knew that he was up to the challenge, but did not realize how long it was going to take to finish the project. I love that he chose to work in the middle of the night, because that was when it was quiet. I am definitely a late night person myself. For Valenza, this book chronicles a personal journey with the Tarot that was at least thirty years in the making (beginning in his childhood), and was a true growth experience.

Valenza talks about his journey with the Tarot, which began in the mid-1970’s, when he was nine years old. He picked up his first deck at a local mall with his parents (not on their first trip, however – he had to be persistent!). This deck, however, had to be exchanged, as it was in French! The deck that he exchanged it for was a less ornate Tarot Classic deck. What a great gift for an actively intuitive child with imagination! Love the pics that Valenza shared of himself as a child. When an artist/author shares the background of their work, for me the work takes on a deep, “otherworldly” quality.

The original 13 cards for the Deviant Moon Tarot were created when Valenza was between the ages of 15 and 18. The card dimensions were based on the Visconti-Sforza Tarot, with a light coat of metallic gold paint being applied to the background of each image to create an ethereal glow. The cards had arched, Gothic borders, with the border color chosen to intuitively to compliment the color scheme of the painting. The character stylization was influenced by ancient Greek art.

When Valenza restarted the creation of the Deviant Moon in 2004 he switched from painting to digital photos. The rest is history!  I absolutely love that amongst his photographic sources were cemeteries, where he took a tiny sample of dirt from the gateways each time he visited them (leaving a generous gift for the gatekeeper in return), asylums, parks, and historic sites. A bit scary? Valenza does talk about confronting his nightmares – and never having them return again!

Many of the images in this deck came to Valenza fully in a flash of insight, or in a lucid dream. Two write about the images in the cards, he had to go back and examine them again in order to discern their meanings.

Each card of the Major Arcana is presented with a full page, color photo, a short discussion of the energy of the card, upright and reversed meanings, and a bit about his journey in creating the card. Also included are more full page, full color photos, as well as smaller photos.

The section on the Minor Arcana begins with an explanation of the border colors (Swords – Red, Cups – Blue, Wands – Green, and Pentacles – Black), and the fact that the Minor Arcana were not conceived in Valenza’s youth, but in his adult  years. Each card is presented with a full page, full color photo, a short discussion of the energy of the card, upright and reversed meanings, and a bit about the process of how the card was created. Full page, full color photos and sketches are included, as well as smaller photos.

I cannot say enough about what a joy this book is! Incredible quality, along with incredible depth. It will remain within reach at all times, as a resource, and not shelved! Filled with full color art on each page, U.S. Games Systems, Inc. has outdone itself in creating a quality product to showcase a quality product. If you don’t have the deck yet – go buy it! Then, of course, you need this incredible companion book to go with it! You could spend hours on the images alone, and even more hours on the how and why of this deck. Well worth your effort!

© 2016 Bonnie Cehovet
Reproduction prohibited without writen permission of hte author.

 

 

 

 

 

 

 
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Posted by on March 3, 2016 in Tarot

 

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Review – The Renaissance Origins of Tarot

The Renaissance Origins Of Tarot

Author: Giovanni Pelosini
English Translation: Arnell Ando
Interwideo
2016
ISBN #987-88996910-2-8

The Renaissance Origins of Tarot cover

“The Renaissance Origins Of Tarot” is a well written, 78 page book on the origins of the Tarot. In his introduction, Pelosini differentiates between playing cards (with their origins in Asia), and Tarot cards, which he defines as being an Italian innovation from the Middle Ages. Pelosini sees the Tarot as a Renaissance codification of cultural models of various origins, and as being an adaptation on an eastern matrix card game, which arrived in Europe most likely through Arabic contacts.

This was also a period when card making technology was becoming more advanced, especially in the areas of Fabriano (1276) and Bologna. The Minor Arcana were developed from early playing cards, which resulted in the suits of Wands, Cups, Swords, and Pentacles. (It is interesting to note that the French suits were developed from the Italian suits.) The Major Arcana were developed from the original Triumphi.

Pelosini covers the people and texts that were in evidence in these early days, such as Court de Gebelin ( Mondi Primitif), with his belief that the Tarot had been brought to Europe by nomadic Gypsies, Eliphas Levi (Alphonse-Louis Constant), and Papus. Pelosini talks about the oral tradition of Tarot, about initiatory traditions, spreading these traditions through the use of Tarot as a card game. The game could be seen as a game, but to s select few it would also carry symbolic meanings and sacred teachings.

The background of the Trumps (Triumphs) is discussed, as reflecting the moral virtues and classical mythology of the parades/processions of the middle ages, including the Triumphs of Petrarch. The cards were played by royalty in the courts as a game, and in the taverns as a gambling device.

Another part of the cultural background of the Tarot that Pelosini discusses is Greek- Alexandria Hermeticism and Gnosticism. Included in this discussion is the Corpus Hermeticum (by Hermes Trismegistus).

The philosophy and theories of this time, and the individuals who espoused them, are well presented in this book. Solid research has been done, and footnoted abound, allowing the reader to follow the trail to wherever it might lead them.

Throughout this work we see color photos of Tarot cards, of the individuals being discussed, and the material being discussed. We are literally taking a step back in time, so that while we read the text we are simultaneously presented with a color visual of what was and what is.

Part of this “stepping back in time” for me was reading about the game of Tarot as it was played in the Courts. The Triumphs (Trumps) were used to make statements in quite an interesting manner!

This is a book that can be considered a resource – much more than something that we read once, then set aside. It is well written, well documented, and filled with bright visual imagery. It is an education, and well worth the reading.

© February 2016 Bonnie Cehovet
Reproduction prohibited without the written permission of the author.

 
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Posted by on February 18, 2016 in Tarot

 

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Review – Explore The Major Arcana: A Workbook For Empowerment

Explore the Major Arcana:
A Workbook For Empowerment

Author: Judyth Sult
Tarot of Empowerment
2016
ISBN #978-0-9864446-1-6

Explore the Major Arcana - coveruygfd

“Explore the Major Arcana: A Workbook For Empowerment” uses the art from the “Tarot of Empowerment”, the Tarot deck that Sult co-created with artist Gordana Curgus. The interpretations and technique in this 90 page book are meant to empower individuals to put the archetypal energy of the Tarot to work in their lives.

In her introduction, Sult speaks of the many ways that the cards can be read. This book represents her personal journey into reading the Tarot. In exploring the Tarot, card by card, her focus is on helping readers discover the empowering energy in each card. She goes on to define empowerment as the courage to make decisions for the highest good, based on information the higher self reveals through the cards. The focus of her readings is to make the best decision in the present for the future.

Sult believes that reading with the Major Arcana alone is more concise, more empowering than reading with the entire 78 card deck. In her words, “… the Minors color between the bold strokes of the majors in readings”.

Starting out with an excellent chapter on communicating with, and building trust in your guides, Sult moves on to creating an empowering reading, including how to frame a question, how to lay the cards out, and how to interpret the cards. She has included spreads such as Best Course of Action, Next Best Step, Choice Between Two Options, Looking For a Relationship, Four Stages, New Year Reading, and Discussion. She also talks about how to create your own spread.

There is a delightful chapter on Tarot and Numerology, with the association between the numbers 1-9 and the Major Arcana cards. She also covers determining your Life Path number, what the Life Path meanings are, determining your Personal Year number, and something Sult calls the Age Influence.

The cards are each presented with a small black and white scan, with the card name, with a short poem about the card, and with questions the reader can ask themselves about the card, with a lined space to write in their responses.

Some title changes have been made in the Tarot of Empowerment: Fool/Questor, Empress/Sustenance, Emperor/Authority, Hierophant/Advisor, Lovers/Choice, Chariot/Determination, Hermit/Introspection, Hanged Man/New Perspective, Death/Life Cycle, Devil/Entrapment, Tower/Chaos, Judgment/Awakening, Unknown (extra card).

For the Questor (The Fool), the poem reads: “What are you seeking? Who do you meet? Risk to explore, to learn, to trust, To find the truth of who you are.” The questions presented are: What tools do you have as the Questor to begin the journey? What characteristics would make this an empowering card? How would you interpret this card if it were in the position of the theme of the reading? How would you interpret this card in the position of best course of action? How would you interpret this card as the challenge card? What is hidden from the person or situation according to this card? How would you interpret this card as the hope and fear card?

“Explore the Major Arcana: A Workbook For Empowerment” is a well written book that gently leads the reader into new ways of thinking, and new ways of interpreting the cards. I loved it, and I think that you will too!

© February 2016 Bonnie Cehovet
Reproduction prohibited without the written permission of the author

 
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Posted by on February 16, 2016 in Tarot

 

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