Review: The Illuminati Tarot – Keys of Secret Societies

The Illuminati Tarot –
Keys of Secret Societies

Author: Casey DuHamel
Artist: Bob Greyvenstein
Schiffer Publishing, Ltd.
2017
ISBN #978-0-7643-5270-6

The “Illuminati Tarot – Keys of Secret Societies” is a traditional 78 card deck, accompanied by a 176 page companion book. The box that the deck and companion book come in features a lift top, with the traditional Schiffer magnetic closure. The bios of the author and artist are featured on the inside of the lid. That in itself is very awesome!

The backbone of this deck is that it is an exploration of what are called “secret societies” – groups of people reflecting a unified philosophy that operate in the shadows of society (my definition). DuHamel’s background as a former member of the Hermetic Order of the Golden Dawn, an initiate of the AMORC (Ancient and Mystical Order Rosae Crucis – also known as the Rosicrucian Order) and as an ordained minister help to give her the perspective needed to see how these organizations may have influenced the origins of the Tarot, and to see the historical implications. This is backed up well by the illustrations done by Greyvenstein, an illustrator and graphic designer born in South Africa.

Five historically relevant secret societies are represented in this book: The Priory of Scion (through the Major Arcana), the Rosicrucians (through the suit of Cups), the Freemasons (through the suit of Swords), the Martinists (through the suit of Coins), and the Golden Dawn (through the suit of Wands). The attempt has been made here to examine the history and imagery relating to each card, to give in-depth card meanings, and to offer specific keywords that will help the student along their own path.

The 176 page companion book refers to the 78 cards of the Tarot as the “Royal Road”. While the companion book itself is an excellent resource, DuHamel has shared other resources, including individuals that study and write on the background of Tarot, throughout the pages. Arabic origins are presented, as well as some thoughts on the origins of Tarot that are generally considered to be myths (such as Egyptian mystery schools, and the nomadic gypsy culture). Heresy – the posit is made that perhaps the Visconti-Sforza Tarot is not the oldest Tarot, that the oldest Tarot may be a French deck entitled Charles VI (also known as the Gringonneur or Estensi Tarot). (Just joking about this being heretic!)

The backbone of this deck is that the Tarot shares links with secret societies both past and present. DuHamel references Tarot being used as a hermetic vehicle through such connections as Freemason Antoine Court de Gebelin (1719-1784), Rosicrucian and former Freemason Alphonse Louis Constant (1810-1875), and esoteric scholar Arthur Edward Waite (1857-1942).

The introduction to the pips (numbered cards) includes associations for Continental Tarot, Victorian Tarot, Modern Poker, the Elements, Elemental Direction, Attribute, Etherial Attribute, Humor, Quality, and Season. Associations include: Cups/Feminine/Winter, Disks/Feminine/Autumn, Wands/Male/Summer, and Swords/Male/Spring. The Court Cards carry traditional associations: Kings/Magi/Fire/Yod, Queens/Adepts/Water/Heh, Knights/Initiates/Air/Vav, Pages/Novices/Earth/Heh.

The presentation for the Major Arcana include a small (approximately quarter page) full color scan, the card name and number (in Roman numerals), a short quote, esoteric background, meaning (associations for Archangel, Cabala, Element, and Hebrew letter), a discussion of the card, and Keywords.

The presentation for the pips includes the card number and suit, in text, a small (approximately quarter page) full color scan, and Keywords.

The presentation for the Court Cards includes, title and suit, a small (approximately quarter page) full color scan, a quote, esoteric background, associations (Nature, Element, Tetragrammaton, Card Personage), and Keywords.

At the end of the book is an inclusive bibliography that allows the reader to do further research on their own.

The traditional structure for naming the Major Arcana has been kept intact, with Justice at VIII and Strength at XI. The suits are Cups, Coins, Wands, and Swords. The Court Cards have been renamed: Novice/Page, Initiate/Knight, Adept/Queen, and Mage/King.

The cards are 3” by 4 ¾”, on glossy card stock. The backs are reversible, and feature a brown and gold outer border, followed by a thin black inner border. The centered image is that of a fleur de lis, with the outer two petals done in gold, and the center petal in silver. The card faces show the same brown/gold border, with a thin gold inner border. The Major Arcana show the card title in black, at the bottom of the card, against a gold banner. The pips (numbered cards) show the card number in Roman numerals in black, at the bottom of the card, against a gold banner. The Court Cards show the card title and suit in black letters, at the bottom of the card, against a gold banner.

The gold/brown coloring gives an “antique” feel to the deck. Each card has the Hebrew letter associated with it somewhere on the card. I loved the artwork – it is the type of deck where one continues to look for symbolism beyond the obvious, beyond the “first layer”.

The Fool shows a modern day man, dressed in a business suit, with his dog at his knee. Meanings include Lumiel (Archangel), Path 32, Malkuth-Yesod (Cabala), Fire (Element), and Shin (Hebrew letter).

The Chariot shows a male figure (representing Sir Isaac Newton), dressed in court cloths: a red jacket, red shoes, white stockings, and white cuffs. In his right hand he holds a blue apple (referencing the light coming through the church window at the Church of Saint Mary Magdalene, RLC, giving the appearance of blue apples dancing). In his left hand he holds a red apple. Meanings include Raphael (Archangel), Gemini (Astrology), Path 17, Binah-Tiphareth (Cabala), Air (Element), and Zayin (Hebrew Letter).

The Wheel of Fortune shows a scribe (representing Nostradamus), seated in the outdoors, with an astrological chart in the sky behind him. Meanings include Raphael (Archangel), Virgo (Astrology), Path 20, Chesed-Tipharet (Cabala), Earth (Element), and Yod (Hebrew Letter).

The Novice of Cups shows a male figure (representing Christian Rosenkreuz), dressed in a flowing blue robe, over a white shirt with long sleeves. Under his left arm he is carrying an esoteric journal, while his right hand grasps a staff. The background is murky, with what appears to be a castle on a hill in the distance. Associations include Dreaming the Dream (Nature), Earth of Water (Element), Heh (Tetragramaton), and young child (Card Personage).

The Two of Cups shows two cups (one silver, one gold), standing in the middle of a wreath of roses. Keywords include attraction, romance, cooperation and harmony.

The Mage of Coins shows a series of white stars against a dark background, representing spiritual consciousness. Associations include Benevolent Power (Nature), Fire of Earth (Element), Yod (Tetragrammaton), and older man (Card Personage).

The Adept of Wands shows a female figure (representing Isis), standing. She is wearing a white dress, with an Egyptian headdress. In her right hand she holds a white lotus, in her left hand a gold ankh. At her feet rests a ram. Associations include Inner Grace, Outer Beauty (Nature), Water of Fire (Element), Heh (Tetragrammaton), and mature woman (Card Personage).

The VII of Wands shows a hand coming up from the bottom of the card, with two hands in the middle of the card, one hand coming in from each side of the card. Three Wands cross in each direction, with the seventh Wand upright between them. Keywords include valor, courage, and overcoming obstacles.

I am very pleased with this deck and the companion book. I may not agree with everything that is presented, but I feel that it is good to have an open mind. I also hold the opinion that esoteric societies have had a great deal to do with the development of the Tarot. This deck, and its companion book, are best approached by someone who has at the least a basic knowledge of Tarot and Tarot history.

Note: There has been some confusion between the Illuminati Tarot: Keys of Secret Societies and Erik C. Dunne’s Tarot Illuminati. These are totally different decks that are both awesome in their own right.

© May 2017 Bonnie Cehovet
Reproduction prohibited without written permission from the author.

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Review – The Magdalene Legacy Tarot

The Magdalene Legacy Tarot

Author: Casey DuHamel
Artist: Deborah L. Shutek-Jackson
Grail Quest Press
2014

“The Magdalene Legacy Tarot – Lost Keys of the Madonna” is a limited first edition run of 500 signed and numbered copies. I was impressed by the presentation of the certificate … it comes in a bright red envelope, which so reminded me of the envelopes that my Asian friends use to gift money in. Very classy! The box and the companion book show a clean white background, with an entwined red rose and white lily. This speaks tons as to what this deck is all about, and what you will find in the companion book!

This is a 78 card deck, following traditional titles for the Major Arcana. The suits are Cups, Disks(Pentacles), Staffs (Wands), and Quills (Swords). The Court Cards are King, Queen, Knight, and Knave.

Unique to this deck, the Court cards represent specific royal Grail families. Each of three Court suits represents one of the three pivotal figures of the epic, with the fourth suit representing the medium uniting all three figures. Each court card contains that figure’s religious correspondence and their “Magdalene” icon, including a skull, a cross/crucifix, an alabaster jar, and an open book. Cups represent The Holy Grail, Mary Magdalene; Disks represent Jesus; Staffs represent John the Baptist; Quills represent the Gnostic scripture and secret gospels that unite the other three.

The Court card dynasties are Cups (Merovingian), Disks (House of Medici), Staffs (Clan Sincair), and Quills (the House of Windsor). Samples of Court card personalities include King of Cups (Clovis the 1st), Knight of Disks (Giovanni de Medici), Queen of Staffs (Marjory Sutherland), and Knave of Quills (Prince William of Wales).

I have always been impressed with Margaret Starbird’s work (including “Woman With the Alabaster Jar: Mary Magdalene and the Holy Grail”), which is part of the foundation for this deck. Which also means that I am a bit in awe of these cards! I love the comments that Christine Payne-Towler made about the use of the Picard minors, which puts this deck in with the family of Spanish Tarots.
DuHamel draws from the esoteric and hermetic traditions of Judeo/Christina mysticism, and uses the correspondences of a continental hermetic system. Most importantly, this deck celebrates a resotration of the Sacred Feminine. This is illustrated through the use of the Grail mysteries of Mariamne e Magdala … Mary Magdalene.

Fair warning … the print in the companion book is uber small! Having said that, I can read it with my glasses … no need for a magnifying glass. DuHamel discusses the background of the deck, the journey that brought her this far, the Gnostic Gospels, and much, much more.

Each Major Arcana card is presented with the associated Archangel, astrological sign, element, key words, Cabalistic path, and Hebrew letter. Each Court card is presented with the element, Tetragrammaton, card personage, and nature. Each Pip (numbered card) is presented with associations for Cabalistic world, Sephira, Key words, colors, gemstones, astrological association, Numerology, Ethereal Essence, and Mundane Essence. All cards have a small black and white scan. The Major Arcana and the Court cards have a quote, while each number in the Pips has a quote.

The small things are what attracts me, what help me in learning a new deck. DuHamel has included such niceties as charts giving the associations for the Continental, Victorian, MLT, and Modern Poker decks (including the element); the element, direction, inherent attribute, ethereal attribute, humor, quality, and season; the attributes in the Four Worlds of the Tree of Life (Worlds, Tetragamaton, Elements, Senses, Astrology, Human Qualities, Tarot Suits, and Sacred Geometry.

There is a epiloge at the end of the book, as well as illustrator’s notes, and an extensive bibliography, with recommended reading. Sample spreads include the Templar Cross, the Cross of Lorraine, and the Thirteenth Apostle.

The cards are of rather stiff card stock. The backs show a 1/4 border, with a circle of red roses and white lilies in the center, surrounding an internal graphic, and are reversible. The card faces show a color coded border: Cups – blue, Disks – green, Staffs – red, and Quills – yellow.

The Major Arcana show the card number in Roman numerals across the top, with the card title across the bottom. Each card shows the astrological attribution and the Hebrew letter. The Court cards show the title and suit across the bottom of the card, with the healdic icon in the lower left hand corner. The Pips show the card number across the top, in Roman numerals. An upright keyword is at the top of the card, with a reversed keyword at the bottom of the card (literally reversed, so that if the card was drawn reversed the keyword could be read).

The imagery on the High Priestess is very traditional – a female figure, seated, with a scroll in her right hand. She is seated between two pillars (one white, one black), wearing a white gown with a blue robe, her right foot resting on a crescent moon.

The Queen of Quills (Diana, Princess of Wales) is dressed in a black dress, and is holding a red cube with three white dots running diagonally. A gold scale stands in front of her, with a red rose in front of it. In the left hand corner we see her heraldic emblem.

The Seven of Quills shows a triangle in the upper half of the card, under the keyword “control”, with a square in the bottom half of the triangle, under the keyword “chaos”.

The Eight of Quills shows a spoke, made of eight Quills. The upright keyword is “action”, the reversed keyword is “aversion”.

The Knave of Disks (Giulianno de Medici) shows a dark haired youth, kneeling in a field of lilies and roses. He wears a red shirt and pants, with a green tunic. He is holding a cross in his left hand. His heraldic icon is in the left hand corner.

The King of Staffs (William Sinclair, Baron of Roslin), shows a youthful king standing, wearing a white shirt, a plaid kilt. I his left hand is his staff of office. He stands between two pillars, over his astrological sign (Leo), with a skull and crossbones at his feet, In the lower left hand corner of the card is his heraldic icon.

The Ten of Cups is one of my favorite cards, showing ten cups moving in an arc from the upper left hand side of the card to the lower right hand side. They follow the colors of the chakra system – red, orange, yellow, green, blue, lavender, and white. The upright keyword is “harmony”, the reversed keyword is hostility.

I am enchanted with the colors and the imagery of this deck, as well as the focus on Mary Magdalene, the Sacred Feminine, and the Grail myth. This is an exciting deck to work with! There are many nuances throughout this deck. One of these nuances is that of the World. Traditionally numbered XXI, the World is numbered XXII in this deck. Why? According to DuHamel, one reason is that the Magdalene’s feast day is July 22nd! Another reason is that the total amount of stairs to reach the top of the Magdalene Tower at Rennes-le-Chateau is 22! Lots to think about here!

(c) March 2014 Bonnie Cehovet

Reproduction prohibited without the written permission of the author.