RSS

Tag Archives: Marseilles Tarot

Review – Trionfi della Luna Tarot

Trionfi della Luna
333

Artist: Patrick Valenza
Self-published
Deviant Moon Inc.
2016

img_1442

The Trionfi della Luna 333 is a 78 card Marseilles-style deck, with 10 bonus cards, an 2 alternate cards (Diavolo/Devil and Fulmine/Tower). (It is a cousin to the Deviant Moon Tarot.) The cards come in a flip-top box, wrapped in a stunning gold printed art wrapper that is signed on the back. (I am going to frame mine to hang in my office.) A little added flavor was the Devil card that was tucked into the wrapper! I opened the wrapper very, very carefully – it was folded with expert care, so that I could take it off in one piece, with no tears, and keep “forever”!

  • The bonus cards are numbered I-X.

img_1444

The deck itself evolved from a series of spontaneous ink drawings created on the wrappers of signed Deviant Moon Tarot decks. This was originally a majors only deck – I am so happy that Patrick decided to complete it! There is a downloadable LWB on the Deviant Moon site (or there will be soon – it was not up yet when I started this review).

img263

 

 

All of the titles in this deck are in Italian, with the suits entitled Spade (Swords), Bastoni (Wands), Coppe (Cups), and Danari (Pentacles). The Court cards are entitled Re (King), Regina (Queen), Caval (Knight), and Fante (Page). The Two of Pentacles follows form for a Marseilles deck and carries the information for the printer (Deviant Moon, New York).

 

 

 

 

img245

 

The cards are 2 ¾” by 4 ¾”. The backs are burgundy, with cream colored quarter moons within a diamond shape, and are reversible. The card faces show a ½” antique white border, followed by a thinner black border. The background for the images is an antique cream color. For the Major Arcana, the number is at the top of the card, in Roman numerals. The card title is at the bottom of the card, in Italian. For the Court cards, the title and suit are across the bottom of the card. As this is a Marseilles-style deck, the Minor Arcana show icons only, with the card number, in Roman numerals, centered on either side of the card.

The art style is uniquely Deviant Moon – strange creatures, other-worldly landscapes, and a sense of “in your face” reality. Bad dreams type reality! Perhaps I should say “surreal”, as opposed to reality! The background is medieval combined with 19th century lined illustrations.

 

Whatever it is – it works! It took me a long time to get used to the Deviant Moon Tarot, but once I was over that little bump in the road, I wanted every deck that Patrick could ever conceive of putting out there!

img251

 

We see La Papessa standing on a pile of books, with flames behind her. La Giustizia (Justice) stands with her sword and scales in an almost menacing manner. I love the eye that takes center stage in La Ruota (the Wheel of Fortune). Interesting that in the Re di Spade (King of Swords) he holds in front of him a shining sword, yet the sword that he holds behind him drips blood, There is a fire behind him, and the quarter moon in the sky drips blood.

 

img258

 

The Ten of Swords shows eight curved swords, with two straight swords in the middle, dripping blood. The Regina de Bastoni (Queen of Wands) shows the figure facing the left hand side of the card, with ghost faces behind her. The Fante di Dinari (Page of Pentacles) is quite the interesting figure, as it is shown running after the Pentacle icon, which has wings.

 

 

I have thoroughly enjoyed working with all of Patrick’s work. It is innovative, and exciting. I think that you will all enjoy this deck!

I am going to put in a plug here for the book that Patrick wrote concerning his journey with the Tarot, and how his art evolved. It is a huge, amazing book, and you all need to read it! It is called the Deviant Moon Tarot Book (U.S. Games Systems, Inc., 2015).

© December 2016 Bonnie Cehovet
Reproduction prohibited without written permission of the author.

Advertisements
 
Leave a comment

Posted by on December 17, 2016 in Tarot

 

Tags: , , , ,

Review – Tarot Decoratif

Tarot Decoratif

Author: Ciro Marchetti
Artist: Ciro Marchetti
Independently Published
2016

img_1407

“A Tarot deck if a magical illustrated book like no other.
Every time you open its cover it offers you a different
and unique story.”

from the companion PDF

The Tarot Decoratif  is a 78 card deck that combines features from both the Marseilles and Waite-Smith schools of Tarot. It is self-published as a Special Edition, aimed primarily at collectors. The images follow traditional images close enough that the deck can be used easily for reading, if one is familiar with the Tarot. Marchetti is a digital artist, with several decks to his credit (Legacy of the Divine Tarot, Tarot of Dreams, Tarot Royale, The Gilded Tarot) – all of which are unique and outstanding in their own way.

img_1406

This Special Edition comes with a plethora of goodies – a signed signature card; a themed, satin lined bag; and a heavy, black, lift top box. (I am partial to black – I find the box stunning!) Reading cloths are also available for separate purchase. The option to personalize the card backs is no longer available, as the cards have already gone to the printer. There is no companion book, but there is a PDF available for download in which Marchetti describes the thought process (rational) for his personal design choices.

A small note about the PDF: I fully appreciate hearing the “story behind the story”. Seeing what is in the mind of the creator as he is creating. Those who have followed Marchetti’s work know that each of his projects is stand-alone, with vibrant energy and compelling story-lines. Many of us know that Marchetti had effectively “retired” from creating Tarot decks, and was focusing on Kipper and Lenormand oracles. He was nudged into changing his mind when he attended a presentation by Russell Sturgess at a TarotCon in West Palm Beach. Sturgess presented what to Marchetti was an entertaining and compelling view of the history of the Marseilles Tarot, the core of which was that its symbolic content was a “hidden in plain sight” reproduction of the religious beliefs of the Cathars, as expressed through the imagery of the Major Arcana. Hence, the interest to create a Marseilles based Tarot was ignited. To maintain the integrity of the deck, Marchetti reached out to a select group of people (including readers, publishers, authors, and artists of Marseilles style decks) that are acknowledged to be experienced voices in the world of the Marseilles Tarot.

Marchetti talks about the early woodcut decks, and how commercial appeal would have factored into the production of the decks. In designing the Tarot Decoratif, imagery from multiple decks was cross-referenced, as well as interpretations and views from various sources. The imagery that made the most sense was then chosen to be used. The result is imagery that is decorative, but still easily recognizable, and easily read.

img222

 

The Tarot Decoratif is a reflection of Marchetti’s personal style, and personal choices. While deeply imbued in the Marseilles style, there is enough imagery to make it interesting to those that find it a bit difficult to read with icons only.

While reading the PDF is not necessary to understanding this deck, I found it of personal interest. I did not agree with all of it, and you may not either, but it does give us insight into why the imagery in this deck is presented in the manner that it is.

img218

The cards are 3 ¼” by 5 ¼”, on a glossy card stock finish. There is a contrasting matt spot varnish over the outer border design. The backs have a black background, with gold inner borders and imagery, and are reversible. The card faces show a black background, with the same dual gold borders as the card backs. The Major Arcana (Trumps) show the card number, in Roman Numerals, centered at the top of the card. The card title, in French, is centered at the bottom of the card. The card of Death is numbered, but not titled.

The Court cards show the insignia for the character centered at the top of the card, with the card title and suit centered at the bottom of the card. The pips (numbered cards) show the card number, in Roman Numerals, centered at the top of the card, with the suit name centered at the bottom of the card.

img223

 

The card imagery is bold, with bright, intense colors. The pips are Marseilles style, with icons and no imagery, with the exception of a single image in the top, middle or bottom of the card. For example, the IV of Deniers shows the top of a male figure in the center of the card, with a shield beneath it. The X of Deniers shows treasure chest in the middle of the card, while the VI of Batons shows a rider seated on a horse centered at the top of the card.

 

 

img219

 

There is interesting symbolism throughout the deck, including three dice in mid-air in Le Bateleur, the Alepha and Omega signs on the page of the book in Le Pape, the cherub over the male figure in L’Amoureux, the flaming cauldron between the male and female figures in Le Diable, the family pictured in the IV of Batons, and the male figure appearing to study in the VIII of Deniers.

 

 

This is a vibrant, well done deck that would be a welcome addition to any Tarot collection, both from a collector’s point of view, and from a reader’s point of view.

© October 2016 Bonnie Cehovet
Reproduction prohibited without written permission of the author.

 
Leave a comment

Posted by on October 25, 2016 in Tarot

 

Tags: , , , ,