Tag Archives: Tarot

Tarot Pink For Cancer

Tarot Pink For Cancer –
For Inspiration, Empowerment, and Support

Artists: collaboration of 65 Tarot artists
Author: personal interpretation from the artists
Introduction by Mary K. Greer


“Tarot Pink For Cancer” is a project under the auspices of Ron Leong and WizardToo, LLC that involved 65 talented artists within the Tarot community that came together and created a Tarot deck to inspire, empower, and support breast cancer awareness, and those going through the breast cancer treatment process. It is meant to be a fund raising tool to benefit breast cancer research.

Under the sponsorship of WizardToo, LLC (the publisher of the Tarot e-cards app), there is a printed deck available through Game Crafter (Tarot Pink For Cancer), and a Tarot app for both iOS and Android mobile devices.

This is a full 78 card deck, accompanied by a 22 page companion booklet, and a bag to store the cards in. (Note: A digital download of the companion booklet is available after purchase.)

In her introduction, Mary Greer (author of “Tarot For Yourself”) talks about the fact that we have all been touched by some form of cancer, or a life-threatening illness, whether it is ourselves, a loved one, a friend, or someone we admire. She refers to it as an emotional, transformative experience for everyone involved.  Greer notes that many of the artists found the experience of creating one or more cards was healing in and of itself. This deck is seen as supporting a healing journey – along these lines, Greer suggests giving the deck to someone that is going through the cancer experience, and then perhaps helping them out with something that they need help with.

Some of the artists are working in remembrance of someone they know, others are cancer survivors themselves. Greer notes that there are no rules for working with this deck – that each individual should use them in the manner that works best for them. She sees the 78 cards of this deck as 78 gifts and prayers for well-being – as indeed they are!

The 22 page companion booklet (which features the card Strength on the cover) includes a small write-up from each artist of what the card means to them. Color scans, including the Queen of Cups, the Eight of Coins, the Seven of Swords, and the Three of Wands are scattered throughout the booklet.


The cards are 2 ¾” by 4 ¾”. The backs feature a pink background with white clouds, and a pink lemnescate in the center. The card backs are reversible. The card faces feature a light gray border, with the card name at the top, in black, against a pink strip. The card image is outlined with a thing strip of pink. Under the card we find the artists name, along with a short bio.

Here is some of the incredible work that came out of this project:


The Magician (by Ciro Marchetti):

“The Magician represents making best use of personal power and skills. Through concentration and accessing resources, the individual determines the actions they want to take. The books on the shelf represent knowledge from study, the raven speaks to information coming from afar, and the owl speaks to spiritual/intuitive wisdom.”


The Fool (by Arnell Ando):

“Fortune visits after misfortune. Allow yourself to be surprised by unusual synchronicities & gentle gestures. Fresh perspective during a challenging time. Revisit a sense of optimism and belief in an inner journey. Look to friends who cherish you. Trust your gut. Don’t forget to reward yourself with spontaneous, unexpected treats when things get overwhelming.”


The Page of Swords (by Ash Goh):

“We face challenges on a daily basis. This word means Patience in Chinese which brings to mind the importance of governing our thought processes as we face obstacles that seem insurmountable. “We cannot change the cards we are dealt, just how we lay the hand. Randy Pascal, The Last Lecture.”    


The Hanged Man (by Chanel Bayless):

“It’s time to let go of fears and give yourself a moment to reflect on the positives of life. Time is suspended for now. Meditate. Allow your spirit to speak to the universe. You are seeing life from a different perspective. Connect. Accept. Everything is turning around.”


The Hierophant (by Sue Silva):

“The Hierophant raises her right hand giving a peace sign that represents blessings to all and especially to ourselves. It is now that we know we hold the keys to our own destiny. We are strong and everything is possible in this life journey.”


The Ace of Wands (by Chris Ernest Paradis):

“When the Ace of Wands appears, your passions have sparked a a creative instinct to manifest new possibilities in your life. You have the tools and energy to do it. It is up to you to overcome your obstacles and allow this spark to become a reality.


The Page of Cups (by Paula Millet):

“The Page of Cups brings you messages of love from your circle of family and friends. Their support will carry you through whatever is to come.”


The Eight of Swords (by Rhonda Delaune Welch):

“Isolation, self-imposed restrictions, imprisonment, stagnation, confusion. The Eight of Swords represents someone who considers herself trapped and isolated. This card mage shows a woman who has intentionally disengaged from her surroundings, unable or unwilling to see the mental stairway leading up and out of her current situation. Swords, representing her thoughts, impede her from more positive possibilities.”


The Four of Cups (by Paula Millet):

“Signifies a time to retreat and reflect upon the choices before you. This is an opportunity to evaluate how you feel about your options and the possible outcomes.”

The journey for this deck was not an easy one – not with 65 artists, each with their own perception and opinions! I was with it all the way, as an observer. I thank everyone involved with this project – especially Mr. Ron Leong, for holding it all together. The end product is a delight to work with, and is definitely the tool of empowerment and healing that it was meant to be!

© October 2015 Bonnie Cehovet

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Posted by on October 12, 2015 in Uncategorized


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Travel Guide of Italy – History of A Mystery From The Renaissance



I am really not going to say how late I am in getting this information out! Let’s just say embarrassingly so! I have always wanted to go on one of Arnell Ando’s Tarot tours of Italy, but have never been able to do so. In this 150 page guide (PDF version), Arnell (in collaboration with Morena Poltronieri and Ernesto Fazioli of the Museo dei Tarocchi) gifts the reader with a detailed guide to landmark artworks that contributed to the development of Tarot, along with esoteric, literary, and historic lore. (Tarot did not evolve in a vacuum!) It is a wonderful, expanded version of the original print book, including poetry, maps, early Tarot images, and so much more! It is a privilege to have this material in your hands!


Tarot aficionados on all levels will find themselves drawn into this material. One of the things that the authors could do with the Kindle/PDF format that they could not in the print book was provide live links – a true bonus!

Here is my review of the earlier print book – On Arnell’s site – – you can purchase the Kindle version of the updated book, as well as a PDF version. The price of admission is minimal … what you take away is entry into a whole new world!

Gift yourself, gift a friend, and please remember to share the link! It doesn’t get this real very often!

© October 2015 Bonnie Cehovet

Reproduction prohibited without written permission of the author.




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Posted by on October 2, 2015 in Tarot


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Review: Tarot of the Holy Light – Esoteric Continental Tarot

Tarot of the Holy Light –
A Continental Esoteric Tarot

Author: Christine Payne-Towler, Michael Dowers
Noreah/Brownfield Press
ISBN #978-0-9673043-2-8

THL cover

“Tarot of the Holy Light and its companion volume Foundations of the Esoteric Tradition supply the key to unlock Tarot’s significance as the premier magical calculator of the Renaissance. The correspondences demonstrated in Tarot of the Holy Light apply to any historical Tarot that conforms to the Marseilles order and numeration. These timeless fundamentals reveal the inner architecture that has been carried forward in the Tarots of Etteilla, the so-called Egyptian Tarots (Belline, Falconnier, Zain), the literary works of Christian, Levi and Papus, right up to classic 20th century Continental esoteric packs like the Tarots of Oswald Wirth and Manly P. Hall. This Volume 1 of the set is dedicated to the creators of Continental Tarots in the past, present, and future in honor of the magical philosophy that inhabits the historical Tarot’s outline and inherent meanings.” ~ From the back cover.

Christine came to my attention way back in the hay day of the Tarot-L Internet group. I am a night person, and there were many discussions in the middle of the night between Christine and those who disagreed with her. Fascinating discussions that I could only sit back and watch, because I didn’t have the knowledge to contribute anything. Kudos to Christine for hanging in there!

I was very pleased to see Christine publish her deck (Tarot of the Holy Light), and I am even more pleased and excited to see the text to accompany the deck seeing the light of day in print. A great deal of thought and research has gone into this book, a book that reflects a lifetime of work in the field of Tarot. I am fond of the esoteric side of Tarot, and follow Christine’s work through her site,

Tarot of the Holy Light is softcover, 5” by 7”, and 492 pages. The cover art, by Patrick Dowers (brother to Michael Dowers) is the same as the cover of the box for the deck. The book contains 100 images and original graphs that help to make it quite unique! There is an introduction to the Minor Arcana, a separate chapter on each of the suits, and a separate chapter on the Trumps.

In her preface Christine talks about the Tarot of today being the same as the Tarot of yesterday. She posits that the visual format of the graph, or information grid, penetrated into Europe from their Arabic neighbors to the east and south during the pre-Renaissance of the 12th and 13th centuries. This allowed westerners to understand the related values that make up the layers of the Tarot. This book includes the influences on the Tarot of the Holy Light cards that are not expressly detailed on the faces of the cards.

In the very first pages of the book Christine has shared her Tarot of the Holy Light icon – a detailed graphic that includes the planets, their associated Major Arcana card, and the Major Arcana and planetary associations for Primal Air, Primal Water, and Primal Fire. Well worth the price of admission!

In her introduction, Christine indicates that the title of this book “states her case boldly” – that her deck represents the summation of her studies in the field of esoteric Continental Tarot. She notes that she is referencing Europe proper, and not Great Britain, or the Iberian Peninsula.

Her stance is that the very first pack of cards with enumerated Trumps, showing numerals on the faces of the Major Arcana, demonstrate the coherency with its implied body of correspondences that would allow it to become an esoteric computer for the Renaissance and all that followed.

In her introduction to the Minor Arcana, Christine makes some interesting statements, including that the Tree is the Fallen Tree, and specific to the pips (numbered cards), that each suit circles the grand trine of its element, and that the three cards representing each sign occupy the triangular centers of the Tree in a very deliberate manner. She also talks about Essential Dignities as Alchemical Catalysts. She regards reversals as an opportunity for the practitioner to stretch their intuition and open hidden layers of influence. Included in this chapter are graphs of the planets on the Unfallen Tree, and the Signs on the Unfallen Tree, Upper & Lower Countenance, the Fallen Human, the Lightning Struck Tree (The Fall), the Sexagesimal Grid of the Mysteries, the Ladder of Light with Lullian Triangles, the Tarot of the Holy Light Mandala, the Boehme Star of Restitution, and the Maze (by Patrick Dowers).

Each pip (numbered card) is presented with the following associations: Astrological, Sephira, Essential Dignity (upright and reversed), and Angelic Dignity (upright and reversed). Each Court Card is presented with the associated planet. Each Major Arcana card is presented as part of the Septenary scheme, with the Hebrew Letter, the Path on the Tree of Life, and the Quality. Each card is accompanied by a black and white image, and an in-depth write-up of what the cards esoteric qualities are, a bit of its history, and how its energy works.

In the appendix we find the Horoscope Spread, the Celtic Cross Spread, Tarot deck citations, a Graph of Minor Arcana Values, a graph of Major Arcana Values, a graph of the Shem Angels, and a Bibliography.

What is laid out in this book is the foundation of the Continental esoteric Tarot. Through text and graphs, we maneuver our way through the myriad layers of information and come out with our own idea of what brings the Tarot to life, and how we can use it in our own life. Our task is to learn this information well, and incorporate it into our lives. Remember, there is a Volume 2 coming that will take us into the foundations of the esoteric system!

© 2015 Bonnie Cehovet

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Posted by on July 15, 2015 in Tarot


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Review: Tarot Travel Guide of Italy – History of a Mystery from the Renaissance

Tarot Travel Guide of Italy –
History of a Mystery from the Renaissance

Author: Morena Poltronieri, Ernesto Fazioli, Arnell Ando
Translated by: Arnell Ando
Museo dei Tarocchi

Tarot Travel Guide of Italy cover

I truly honor my friendship with co-author Arnell Ando. If we had never met (in cyberspace), I would have missed out on so many things – this lovely book included! The 200 page, 100 copy first printing of “Tarot Travel Guide of Italy” takes the reader on an incredible journey of the Tarot through the Renaissance period in Italy. We see the Tarot as it develops in Italy from its early roots, with a peek into the actual physical places connected with this history. Reflected in this book are the Tarot tours that Arnell Ando, along with Morena Poltronieri and Ernesto Fazioli of the Tarot Museum have led over the past several years, including a map with key locations and an actual itinerary of their tour. What a nice time out from the day to day of life, to be able to step into the world of Tarot in a significantly unique manner! Where else could you get even a glimpse of the richness of the Tarot world, from Ferrara and Milan, to a Mediterranean garden of incredible sculptures, to an amazing museum dedicated to the Tarot!

From the back cover:

Morena Poltronieri and Ernesto Fazioli have been working for over thirty years in the field of anthropological research of symbols; specializing in major art work and architecture, both in Italy and abroad. They have written numerous books on these and related subjects, and direct the International Museum of Tarot in Italy.

Arnell Ando is the creator of “Hero’s Journey Tarot”, “Transformational Tarot”, and “Lucky Pack Tarot”. She co-organizes the Tarot Art History Tours with the Museo dei Tarrochi.”.

What a rich background the co-authors have and what a depth of knowledge they bring to their subject! (Note the front cover, with illustrations from the “Tarot Monteiri”, an eighteenth century Tarot deck.)

The “Tarot Travel Guide of Italy” begins with an introduction to the possible origins of Tarot, including China, India, Gypsies, Egypt, Cabala, the cards of Fez, Morocco, the Crusades and more. The Tarot is discussed as being a series of symbols holding primordial energies of existence. The information given is interesting, with a plethora of research points for further study.

From there we move on to the city of Bologna (where Tarot was born). Included here is a beautiful graphic of the Rosenwald Tarot, the Aces from the Tarocchino Tarot Bolognese, a chart showing the major arcana titles in the regional dialect, as well as Italian and English, and much more! The text discusses the evolution of the major arcana, the numbering (or lack of numbering) of the cards and tidbits such as Saint Petronius being the first Hanged Man image in history. Another interesting tidbit is the burning of all the Tarot decks in the city under the auspices of the historical figure Saint Bernardino (Bernardino da Siena). (Remember – Tarot was considered a game at this time.)

One of my favorite stories revolves around the church of St. Stephen, in Bologna. There are full color pics of the church, and of the symbols that were built into it. It also contains the Martyrs (the place for sacred relics), the Holy Garden, and the Anastasis.

Two of my favorite images in this book are the full color images of Triumph of Fame, and Triumph of Death, both by Lorenzo Costa.

Moving on, we come to Milan, and the Visconti Sforza Tarot. It is amazing to follow the actual people behind the decks, and how the culture of their time influenced the presentation of the cards.

This book is unique in that it was written to accompany an actual present day journey to visit the places of historical interest in Italy, with an emphasis on the Tarot. The historical background is in depth, allowing this book to serve as a stand-alone guide, but also to act as a template for any individual who chooses to visit these historical sites. Once there, an individual would also have a sense of what to look for at each site, and of the history of the individuals that once lived there.

This book also serves as a historical resource and is graced with both black and white and full color images that bring the magic into being. I loved the section on the Tarot Garden, a literal garden of Tarot sculptures created by Niki de Saint Phalle. One venue that is not to be missed is the Mueso dei Tarocchi, in Riola. Incredible work is being done here, both in the preservation of history and historical objects, and in the production of new, limited edition decks.

In the back of the book is a beautifully done section including maps of Italy, and the individual cities of Bologna, Milan, Ferrara, Bergamo, Varese, Clusone, Siena, Capalbio and Riola. Each map is marked with must see historical sites.

For anyone with an interest in Tarot or Tarot history, this is a must have book. Each order is accompanied by a bonus of at least two Tarot art postcards, a magnet, and matching artsy stamps which reference details in the Travel Guide. Aside from being well written and well researched, the book is filled with black and white scans and full page, full color reproductions. I highly recommend this book, as it takes you deep into the history of the Tarot, while at the same time showing you actual physical places where you can check out Tarot history, and see the mark that it literally left on the landscape.

© 2015 Bonnie Cehovet
Reproduction prohibited without written permission of the author.

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Posted by on June 25, 2015 in Tarot


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Review – The Parallel Worlds Tarot

Parallel Worlds Tarot

Author: Astrid Amadori
Artist: Astrid Amadori
Independently Published

Amadori had me at the name – “Parallel Worlds Tarot”! I am a firm believer in parallel worlds! The 78 card deck, and the 65 page companion book are packaged in a lift off top box. The predominate colors on the box are blue and white, with black lettering. My eye was naturally drawn to the little hummingbird on the upper left hand side of the box cover. The same bird is featured on the card backs.

This deck was created over a period of several years, and reflects Amadori’s  life experiences as a Tarot reader and artist. The aim of the deck is to encourage individuals to read intuitively, aided by the detailed images and bright colors within the cards. From my personal point of view, I also appreciate the fact that this is a borderless deck, which allows the mind to wander a bit. In her introduction, Amadori refers to the Tarot as a mirror of the soul.

The images can depict events (past, preset, or future), but they can also depict dreams, hopes, and astral visions. The Minor Arcana reference situations and feelings pertinent to their suit.

The Court Cards are depicted in a specific manner. From the Guide:

  • King and Queens are powerful characters, shown in their sphere of action.
  • Knights are depicted with each corresponding (biblical) creature, and are emphasizing the atmosphere that corresponds with their element. Those four creatures (lion, eagle, human and bull) combined form the sphinx.
  • Squires are young males who travel on foot. Mostly they represent a message or chance, or people we meet only for a short time.

The suits are Wands, Cups, Swords, and Coins. Strength is 8, Justice is 11. The Court Cards are King, Queen, Knight, and Squire. The Hierophant has been retitled the High Priest.

In her Guide, Amadori emphasizes the fact that the cards should be read intuitively. The words beneath the images are to be used as guidelines only – each individual needs to intuit the meaning for themselves. As the reader looks at each cars, they are to ask themselves what story the card tells that resonates with the question. What feelings and associations are represented? After all – a Tarot reading is the story of what s going on in the client’s life at the time of the reading. For the Court Cards, Amadori suggests that only the Kings and Queen’s be read as people. The Knights represent atmospheres and surroundings. The Squires represent messages or chances.

Three spreads are included in the Guide: a six card Healing Spread, a nine card spread entitled The Junction, and the traditional ten card Celtic Cross Spread. The write-up on the cards includes a small black and white scan, a word that represents the card, a short piece on what the card represents, and keywords.

The Parallel Worlds Tarot_0001

The cards themselves are 2 ¾” by 4 ¾”. They are borderless, with a colored strip across the bottom. The backs are reversible, and show a hummingbird in flight, against a night sky, with a quarter moon in the upper right hand corner, against a background of stars. The Major Arcana show the title across the middle of the strip, the pips (numbered cards) show the card meaning, while the Court Cards show title and suit.

I love the fact that there are no borders, and that there is a lot of beautiful color used. The style is very basic (primitive), use some traditional imagery, and some of the Amadori’s own choice. The more non-traditional includes the Eagle on the Eight of Wands, the biblical animals alongside the Knight’s horses, the Devil depicted as a clown, the rainbow coming from the bottom of the glass in the Magician’s hand, Death showing figures in white tethered to a figure in a black cape, the Fool in a juggler costume, juggling the cycles of the moon, and the Hummingbird above the Six of Cups.

The Parallel Worlds Tarot_0002

The High Priest (Hierophant) shows a figure clad in white, standing behind a tree, against a background of flames. The Guide refers to the High Priest as incorporating the virtue of listening to the inner voice, or guidance from within.

The Parallel Worlds Tarot_0003

The Hermit shows a figure standing on a cliff, facing water. His left hand is at his side, his right hand is extended in front of him. Golden light radiates from his heart. The Guide speaks of prudence and wisdom, of letting go of all baggage and concentrating on the essential things in life.

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The Moon shows figures going up into the sky, into a full moon. The Guide speaks of Dreams, twilight, and intuition – but with the danger of getting lost.

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The Three of Wands shows three upright Wands, connected with a red ribbon. They have been placed in green grass, next to a small body of water. Each Wand has a gold tip. In the background we see the sun shining over mountains.

The Parallel Worlds Tarot_0006

The Ten of Cups shows a figure standing within an eye, surrounded by the twelve astrological signs. Ten cups are lined up in two rows underneath the figure. The association on the bottom of the card reads “Perfected Success”. The Guide speaks of great bliss, and a happy family life.

The Parallel Worlds Tarot_0007

The Six of Swords shows a red rose centered on a gold shield, surrounded by a blue-green motif. Six swords are lodged in the gold shield, with choppy water under them. The Guide speaks of success after endured troubles. The association on the bottom of the card is “Earned Success”.

The Parallel Worlds Tarot_0008

The Nine of Swords Shows a male figure in black, with his head in his hands. Above his head we see nine swords aimed at him. The Guide speaks of pain, depression, and nightmares. The association along the bottom of the card is “Despair and Cruelty”.

The Parallel Worlds Tarot_0009

The Five of Coins shows a darkened room with light streaming in through a barred window. Five golden coins are on the floor, along with three dark birds (perhaps raven). The guide speaks of loss of money or job, or long periods of poverty. The association along the bottom of the card is “Material Trouble”.

The Parallel Worlds Tarot_0010

The King of Coins shows a male figure, dressed in black, seated in a red chair. His right arm is on the arm of the chair, while his left hand is raised, holding a large coin in it. The Guide speaks of a reliable, even tempered man, who is patient and hard working.

This is a very refreshing deck, beautifully done, that is very easy to read with. Stories flow! I would feel comfortable offering this deck to any of my clients.

© 2014 Bonnie Cehovet
Reproduction prohibited without written permission from the author.

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Posted by on June 13, 2015 in Tarot


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The Cartomancer – The New Kid In Town

Jadzia holding up cover

There is a new kid on the block in the world of divination – one that promises to spark interest, inform, educate, and share the work that is being done in the fields of Tarot, Lenormand, and Oracle reading. The Cartomancer is a quarterly magazine whose premier edition came out on May 1st, 2015. The magazine can be purchased in both print and e-zine format, and is being brought to us by Devera Publishing (Jay and Jadzia DeForest). I am very honored to have been asked to be on the editorial staff for this publication.

The premier issue included articles by Jay, Jadzia, and myself, along with Jaymi Innowen Elford, Camelia Elias, Pamela Steele, Heather Mendel, and Mellissae Lucia. Great articles on divinatory humor were presented by James Ricklef (“Today I Will Nurture My Inner Demons”), and Pamela Steele (“Good Trade!”). Reviews include Under the Roses Lenormand, Le Tarot Noir, The Burning Serpent Oracle, the Vintage Wisdom Oracle, thte Sacred Mandala Lenormand Oracle, and the Tarot de St. Croix. Featured deck imagery included the Wise Fool Tarot (along with an interview with its creator, Cade Burkhammer), the Magical Realism Tarot, the Portland Tarot, the Egyptian Lenormand, the Rainbow Travellers Tarot, The Syzygy Oracle and SacredMandala, and Jadzia’s Unpublished Majors Deck.

Next publication date is August 1st, 2015. We are looking for submissions for articles, artwork and photography,  reviews, classifieds, and forum.

Note that articles have to be unique and unpublished, and that the Cartomancer has exclusive publication rights for twelve months.

The Cartomancer is a full color, glossy magazine. In my opinion, this is a collectors item. We look forward to submissions from the cartomancy community, and the sharing of experiences as well as art. From the mission statement: “Our goal is to support an inclusive and mutually supportive community of Tarot, Lenormand, and Oracle readers worldwide through a quarterly journal that includes … ” (well written articles, high quality divination art, a marketplace for artists and authors, a public forum for letters and editorials).

We are looking forward to your submissions!

(c) 2015 Bonnie Cehovet
Reproduction prohibited without written permission from the author.

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Posted by on May 15, 2015 in Uncategorized


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Review – The Minoan Tarot

The Minoan Tarot

Author: Ellen Lorenzi-Prince
Artist: Ellen Lorenzi-Prince
Foreword: Rachel Pollack
Arnell’s Art
ISBN #978-0-9894739-3-4


The “Minoan Tarot” is inspired by the people of ancient Crete – their devotion to their Goddess, their land, and their creativity. The imagery is based on frescoes, pottery, sculpture, and jewelry from various periods in Cretan history. The 78 card deck and 92 page companion book come in a sturdy, lift-top box with the image of the Moon on the front. Other card images flow along the sides and ends of the box.

This is a traditional deck, with the following cards being retitled: Lily Prince (Fool), Priestess (Magician), Oracle (Priestess), Goddess (Empress), God (Emperor), Singer (Hierophant), Visionary (Hermit), Wheel of Life (Wheel of Fortune), Balance (Justice), Hanging Woman (Hanged Man), Ancestor (Death), Flow (Temperance), Ecstasy (Devil), Shipwreck (Tower), Transcendence (Judgement) and World Tree (World). Strength is VIII, Balance (Justice) XI. The suits are Earth (depicting land animals), Sea (depicting water creatures), Sky (depicting feathered creatures), and Art (depicting humankind involved in day to day activities). The Court Cards are Worker, Priestess, Master, and Mistress, and reflect social roles and cultural traits.

In her foreword, Pollack talks about the 1980’s as the beginning of a time when Tarot deck creators began to work with cultural traditions, many of which have been set in the past. She notes that this is a great learning tool, and that Lorenzi-Prince’s images are both true to their source, and alive and meaningful.

Lorenzi-Prince, in her introduction, talks about the fact that the Bronze age people of Crete, unlike their contemporaries, did not exalt kingship. Nor did they perceive of a great distance between the gods and humanity. She notes that each card in the Minoan Tarot is based on an original work of the painters, sculptors, jewelers, and potters who lived thousands of years ago.

She goes on to define the chronological tables of the periods that she refers to in this deck: Neolithic Era on Crete, Pre-Palace Period, Old Palace Period, New Palace Period, and Post Palace Period, and gives us a brief history of the Minoan culture.

The cards are presented with a full color image, a history of the symbols used in the card, and three short messages. For the Minor Arcana, note is made that the suits (Earth, Sea, Sky, and Art) reflect the great powers present in the lives of the Minoans. The numbers are defined as: Ace/Individuality, Two/Sensitivity, Three/Creativity, Four/Practicality, Five/Adaptability, Six/Harmony, Seven/Spirituality, Eight/Power, Nine/Consciousness, and Ten/Transformation. The Court Cards carry the following qualities: Worker (physical, practical energy of the suit), Priestess (spiritual direction and action), Master/Mistress (aspects of the God and Goddess as reflected through each of the suits).

At the end of the LW (Little White Book) we see samples for several three card readings, and a list of selected sources.

Minoan Tarot_0001

The card backs are red, with a gold labrys – a double-headed axe-like symbol of the Goddess, and a ceremonial tool for ancient priestesses. The backs are not reversible. The card faces show a lavender/blue ¼” border, surrounding a central image. Across the bottom of the card in white lettering, we see the card number (in Roman numerals) and title (for the Major Arcana), suit and title (for the Court Cards), and suit and number (in text) for the Minor Arcana pips (numbered cards).

The images are modern renditions of ancient images, done primarily in shades of blue, purple, gold, and green. Symbols include snakes, Gods, Goddesses, eggs, and crescent moons.

Minoan Tarot_0002

Sky Master: This card is based on a gold pendant from the island of Aegina in the New Palace Period. The Master of Birds brings grounding and discipline to the soul’s search for meaning.

Minoan Tarot_0003

Art Mistress: The fantastical creature carrying the libation in this engraved gold ring from the New Palace Period is called the Minoan genius or demon. It always functions as a divine servant.

Minoan Tarot_0004

Sky Eight: This lovely crested bird is from a fresco of Knossos in the New Palace Period is a hoopoe. It is thought to rule all birds.

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Sea Seven: The painted octopus, shown coiled around a terracotta vessel of the New Palace Period, shows the joy the Minoans felt in this creatures grace and flexibility.

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Earth Ace: This finely carved ritual vessel comes from the New Palace Period. It shows how highly revered the bull was in Minoan culture.

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The Moon: This image is from a fragment of a terracotta sculpture of the Goddess found in the Psychro cave. The Moon is the gateway to what lies beyond.

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Balance: The image here is from an engraved gem seal from Knossos in the Old Palace Period. Two acrobats are standing on their hands, mirroring each other. The Minoans valued both physicality and deep religious feeling.

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Wheel of Life: The Minoan Tarot Wheel of Life is from an Old Palace Period engraved gem seal, showing an interwoven design of egg and snake.

Minoan Tarot_0010

Singer: The imagery here is a group of terracotta figurines from the Cretan village of Palaikastro in the Post Palace Period. While less sophisticated than before the falloff the palaces, we are still shown that joyous religious rights lived on.

The “Minoan Tarot” functions well as a tool for journeying and meditation, as well as an oracle. The card meanings will evolve for the reader as they work with this deck, but it is important to work with the companion book when you first start using this deck in any capacity. The messages are all about stability and a grounded sense of well-being.

The work seen here reflects the exacting standards of both the author/illustrator, Ellen Lorenzi-Prince, and the publisher, Arnell Ando. It is a quality product, and a welcome addition for any Tarot reader/collector/afficianado.

© 2015 Bonnie Cehovet
Reproduction prohibited without written authorization from the author.

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Posted by on March 31, 2015 in Tarot


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